Lustreware: Investigating an Ancient Alchemy
The decorative ceramic style known as lustreware is a shiny metallic visual effect that flickers back and forth when light is played on it.

Small cup. Earthenware with polychromic lustre decoration painted over opaque glaze, 9th century. From Iraq. Accession OA 6700. Richelieu wing of the Louvre Museum, Department of Islamic Art, room 2, case 5
Photo Credit: Marie-Lan Nguyen
The history of lustreware's invention is a fascinating one of industrial espionage, nano-sized chemistry, and innovation. The recipes were mind-bogglingly complex, involving two stages of kiln firing, as well as the inclusion of copper, silver, and lead in a specific combination of paints and glazes.

Potters prepare to close a kiln February 20, 2003 in A'ali, Bahrain. A'ali is a traditional pottery village that features numerous workshops that have been selling their distinct crafts for hundreds of years.
Photo Credit: Spencer Platt / Getty Images
In a recent set of papers appearing in the Journal of Archaeological Science, researcher Trinitat Pradell of the Universitat Politecnica de Catalunya in Spain, and several of her colleagues investigated the science behind the alchemy of lustreware. They discovered that the production of the shiny metallic gold of the Islamic potters was the result of a happy accident coupled with centuries of experimentation. Naturally, this study makes for an interesting photo essay.
The photo essay Islamic Lustreware: Origins and Techniques begins with the history of lustreware, including how there came to be Chinese craftsmen in Baghdad in the 8th century. It also discusses how cracked glazes and kaolin-clay envy gave Islamic potters the push towards the arcane chemistry that made lustreware possible. It includes some photos of pots, a glimpse of what a traditional Islamic kiln looks like as well as the experimental kiln used by Pradell and colleagues, and, most importantly, a list of museums where you can go visit lustrewares in person.


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